There is no such thing as art...There are only artists who are favoured with a gift of balancing shapes and colours until they get it right. And, rarer still, who possess the integrity of character which never rests content with half solutions, but is ready to forgo all easy effects, all superficial success for the toil and agony of sincere work.
—E. H. Gombrich, The Story of Art (1950)
Showing posts with label integrity. Show all posts
Showing posts with label integrity. Show all posts
no art, only artists
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Poetry’s freedom resembles, thus, as Plato pointed out, the freedom of a child, and the freedom of play, and the freedom of dreams. It is none of these. It is the freedom of the creative spirit.
And because poetry is born in this root life where the powers of the soul are active in common, poetry implies an essential requirement of totality or integrity. Poetry is the fruit neither of the intellect alone, nor of the imagination alone. Nay more, it proceeds from the totality of man, sense, imagination, intellect, love, desire, instinct, blood and spirit together. And the first obligation imposed on the poet is to consent to be brought back to the hidden place, near the center of the soul, where the totality exists in the state of a creative source.
—Jacques Maritain, Creative Intuition In Art & Poetry (Pantheon Books, 1953)
And because poetry is born in this root life where the powers of the soul are active in common, poetry implies an essential requirement of totality or integrity. Poetry is the fruit neither of the intellect alone, nor of the imagination alone. Nay more, it proceeds from the totality of man, sense, imagination, intellect, love, desire, instinct, blood and spirit together. And the first obligation imposed on the poet is to consent to be brought back to the hidden place, near the center of the soul, where the totality exists in the state of a creative source.
—Jacques Maritain, Creative Intuition In Art & Poetry (Pantheon Books, 1953)
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...the poet makes no specific statements of fact, and hence is not judged by the truth or falsehood of what he says. The poet...is judged by the integrity or consistency of his verbal structure. The reason is that he imitates the universal, not the particular; he is concerned not with what happened but with what happens.
—Northrop Frye, Fables of Identity: Studies in Poetic Mythology (Harcourt, 1963)
—Northrop Frye, Fables of Identity: Studies in Poetic Mythology (Harcourt, 1963)
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