There was a savior who rescued me from the Romantic complexities and showed me that I could love poetry in English: Carl Sandburg, my first American poet. He was quite popular at the time, and a classmate introduced me to one of his volumes. Here were poems I could understand, written in free verse, in plain, idiomatic American English. They were straightforward and, at the same time, quirky and mysterious. Their spirit was democratic and deeply humane...
—Lisel Mueller,
First Loves: Poets Introduce the Essential Poems That Captivated and Inspired Them (Simon & Schuster, 2000), edited by
Carmela Ciuraru.
Showing posts with label free verse. Show all posts
Showing posts with label free verse. Show all posts
feeling for fragment
Our feeling for fragment as form is an explanation of free verse.
—J.V. Cunningham
(Quote comes from the class notes recorded by D.G. Myers in a "History of Literary Criticism" seminar taught by J.V. Cunninghan in 1976.)
—J.V. Cunningham
(Quote comes from the class notes recorded by D.G. Myers in a "History of Literary Criticism" seminar taught by J.V. Cunninghan in 1976.)
Labels:
form,
fragment,
free verse,
J.V. Cunningham
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