The ‘new’ poetry based on new words or new metaphors distinguishes itself by its pedantic novelty and by its baroque complication. The new poetry based on new sensibility is, on the contrary, simple and human and, at first glance, might be taken for old, or not even invite speculation as to whether it is or is not modern.
—César Vallejo, “New Poetry,” Autopsy on Surrealism (Art on the Line #3, Curbstone Press, 1982)
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