There is no doubt of the fact that “Cavafy stands at the boundary where poetry strips herself in order” (as I have said elsewhere) “to become prose.” No one has ever gone farther in this direction. He is the most anti-poetic (or a-poetic) poet I know.
—George Seferis, “Cavafy and Eliot—A Comparison,” On the Greek Style (Little Brown, 1966), trans. by Rex Warner.
light to see by
The poem…is a little myth of man’s capacity of making life meaningful. And in the end, the poem is not a thing we see—it is, rather, a light by which we may see—and what we see is life.
—Robert Penn Warren, Saturday Review (March 22, 1958)
—Robert Penn Warren, Saturday Review (March 22, 1958)
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entre nous
OBSCURITY, A PRODUCT OF TWO FACTORS. If my mind is richer, more rapid, freer, more disciplined than yours, neither you nor I can do anything about it.
—Paul Valéry, The Art of Poetry (Vintage, 1961), trans. by Denise Folliot.
—Paul Valéry, The Art of Poetry (Vintage, 1961), trans. by Denise Folliot.
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hearing it read
Strolling across the University of California, Santa Barbara campus one afternoon, poet and professor Kenneth Rexroth saw one of his students lying on the grass. “What are you doing?,” he asked. “Oh, I’m reading a book of poetry,” the student replied. “How can you be reading poetry?” Rexroth queried. “I don’t hear anything.”
Quoted from Mira Rosenthal’s “The Self Made Strange: On Translating Tomasz Różycki’s ‘Iterations',” Mentor and Muse: Essays from Poets to Poets (Southern Illinois U. Press, 2010), edited by Blas Falconer, Beth Martinelli, and Helena Mesa.
Quoted from Mira Rosenthal’s “The Self Made Strange: On Translating Tomasz Różycki’s ‘Iterations',” Mentor and Muse: Essays from Poets to Poets (Southern Illinois U. Press, 2010), edited by Blas Falconer, Beth Martinelli, and Helena Mesa.
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