But if it should turn out that music leads to language, rather than language to music, it helps us understand for the first time the otherwise baffling historical fact that poetry evolved before prose. Prose was at first known as pezos logos, literally 'pedestrian, or walking, logos', as opposed to the usual dancing logos of poetry. In fact early poetry was sung: so the evolution of literary skill progresses, if that is the correct word, from right-hemisphere music (words that are sung), to right-hemisphere language (the metaphorical language of poetry), to left hemisphere language (the referential language of prose)."
—Iain McGilchrist, The Master and His Emissary: The Divided Brain and the Making of the Western World (Yale U. Press, 2009)
long line short line
By stress and syllable
by change-rhyme and contour
we let the long line pace even awkward to its period.
The short line
we refine
and keep for candor.
—Robert Duncan, from the poem “Keeping the Rhyme,” The Opening of the Field (New Directions, 1973)
by change-rhyme and contour
we let the long line pace even awkward to its period.
The short line
we refine
and keep for candor.
—Robert Duncan, from the poem “Keeping the Rhyme,” The Opening of the Field (New Directions, 1973)
Labels:
candor,
line,
long line,
refine,
rhyme,
Robert Duncan,
short line,
stress,
syllable
chopped into lines
Don't think any intelligent person is going to be deceived when you try to shirk all the difficulties of the unspeakably difficult art of good prose by chopping your composition into line lengths.
—Ezra Pound, "A Retrospect" (1918)
—Ezra Pound, "A Retrospect" (1918)
Labels:
Ezra Pound,
line,
line break,
poetry v. prose,
prose
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